"Miss Saigon" is one of the four most famous musical dramas in the world, created by Claude-Michel Schoenberg and Alain Boublil. The story is set during the Vietnam War and revolves around the love story between an American soldier and a Vietnam stewardess, the heroine Kim, who sacrifices her life without hesitation for her son. Regarding the strengths of this opera, CRI online (2004) reported that in this turbulent, passionate and dangerous opera, the music represents the West, the poetry represents the East and a significant number of Asian actors and Westerners perform together, making the whole show very attractive. At the same time, it also has a real stage effect, in the last retreat from Saigon, there is even a helicopter above the audience, with a huge noise, and the transmitted chaos and desperation comes directly to the audience. On April 11, 1991, Lea Salonga once again played the title role in "Miss Saigon" at the Broadway Theater in New York. Thanks to her outstanding performance, as well as other positive factors that made the show a success, Miss Saigon was nominated for Best Musical at the annual Tony Awards. Best musical. On January 20, 2001 the musical celebrated its end after 4092 performances. According to CRI online, in 2004 the most important role was assigned to an oriental actor: the engineer. Such a courageous and significant choice corrects the deviation of Eastern and Western vision and offers a new understanding of the Eastern world. Miss Saigon will begin a new series of shows in London in 2014. Creating new songs for the drama "Leave Me", it was the first public appearance at the Shanghai Grand Theater of the original singer Lea Salonga on November 27, 2013(2013). Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay "Murder, Greed, Corruption, Violence, Use, Adultery, and Betrayal." are the main themes around which the New York Broadway musical "Chicago" (2007) revolves. It was created by author Maurine Dallas Watkins and was adapted into a musical in 1975. “Chicago” is based on real events that took place in the 1920s – they were a decadent time. The musical “Chicago” tells of two dancers who are imprisoned in a murder case, but thanks to the help of a savvy lawyer, they manage to survive. they are found not guilty and manage to become famous thanks to a clever use of the media. “Chicago” debuted on Broadway in 1975, when American society had just experienced one of the most infamous political scandals in its history, “Watergate,” and growth, too. in the overall homicide rate (Lv Ling 2007). In 1997, when "Chicago" was repeated on Broadway, the whole United States was immersed in a case that made headlines, that of OJ Simpson. As Ling (2007) pointed out, this case was very similar to those analyzed in “Chicago,” which suggests that the American people were developing an interest in celebrity events, scandals, and sensational news. “Chicago” offers a tongue-in-cheek take on 20th-century American politics, when people could exploit murder and scandal to achieve fame. However, as Watts (2008) noted, there has always been a strong universal connection between fame and scandals, meaning that, although Chicago analyzes US society, it also has a universal dimension. Although politics and the relationship between crime and fame are among the main themes of Chicago that contributed to its success, music also played an important role in making this show innovative. Noteworthy is his famous jazz piece "AllThat Jazz" and its tango music which became very important parts in this drama. In dance, "Chicago" boldly uses a variety of dance forms of jazz, tango and tap. It borrows dance types of Broadway from different periods, including the flower show, the juggling show and a variety of dance forms that blend together in such a way to reflect the conflicting emotions and opinions that characterized the story itself and the period in which it was Furthermore, considering the harmonious result that is obtained by combining different types of dance, it can be deduced that Chicago also provides an interpretation of American culture and artistic style, which originated from a mix of different artistic trends and traditions musical dance is composed by Broadway's successful "music master" Bob Fox, who can be described as a Broadway musical dance synthesizer (2004) "Musical Theater and Dance" marks the return of Mu Yu. It is divided into nine chapters and describes the relationship between the development and changes of Western musical theater dance. In the third chapter of this book, the author introduces the musical "Oklahoma". This is considered a milestone in the history of Broadway musical theater (2012). "Oklahoma" is based on Lynn Riggs' drama "Green Grow The Lilacs." Another adaptation of the musical premiered in 1943. It was created by composer Richard Rodgers and playwright Oscar Hammerstein?. The musical focuses on the wilderness experiences and romance experienced by a group of pioneers in the state of Oklahoma, depicting the modern life of the men and women of the southwestern United States. More importantly, “Oklahoma” depicts an American spirit, an honest, direct, funny, imaginative, and enthusiastic American spirit (Mu Yu 2012). According to Enorth (2012), today this drama is still regarded as a series of classical innovations: ballet, rural folk dance, tap dancing and mime in a perfect blend of action. This musical doesn't use a famous star to perform or gorgeous costumes. He uses simple peasant clothing, more in keeping with his themes. Additionally, “Oklahoma” was made into a film in 1955, directed by director Fred Zinnemann, which won two Academy Awards. As in musical theater, the lead actor Shirley Jones starred in the film for the first time (2012). At the same time, according to the New York Times (1993), an expert on Broadway history, one commented that: "It changed Broadway forever." Another said: "He gave birth to the musical as we know it today." From a political and historical perspective, Oklahoma addresses a number of important issues, although its main goal is similar to that of other post-war musicals, which is to entertain people with enjoyable music, stories, and dancing. Indeed, as Riggs (2003) pointed out, Green Grow the Lilacs, which is the soul of Oklahoma, contains critiques of materialism and colonialism while attempting to capture the beauty of rural Oklahoma life in the early 1900s in a way nostalgic. Side Story” is the eighth chapter of a book of fifteen. The book focuses on the early development of American musical theater and describes different types of musicals. The musical set for "West Side Story" was created by world-famous dancer Jerome Robbins between 1957 and 1961. Robbins collaborated with director Wise and their work was adapted into a film that won numerous Oscars and made “West Side Story” one of the most famous musicals in the world (2002). It is based on the then underworld gangs competing for spheres of influence in Manhattan. Both are based on a famous news adaptation. The West Side of Manhattan was called "Hell in Heaven", so "West Side Story" was reviewed asa relatively violent work with references to "terrorism" (2002). Robbins allowed some unknown actors to perform, such as Larry Specter and Carol Lawrence. Some believe that "West Side Story" has reached a new level of drama in the history of musical theater. But some fans of the drama think it depicts gangsters and reflects the dark side of America resulting from negative influences. Of course, unlike Shakespeare's original play “Romeo and Juliet,” which revolves around an exotic love story, West Side Story is full of reality and irony, and addresses various social issues and political factors through the love story of its main characters. To a certain extent, in fact, West Side Story reflects the numerous hidden problems that affected post-war American society, such as racial discrimination, juvenile delinquency, violence and the cultural divide in the 1950s and 1960s. (2002)The first book, written by William A. Everett and Paul R. Laird, describes the history of music. William A. Everett teaches music history at the University of Missouri-Kansas City Conservatory of Music (Everett, WA and Laird, PR, 2002). Paul R. Laird is Associate Professor of Musicology at the University of Kansas, where he has taught since 1994 (2002). It was decided to introduce three time points, respectively before 1940, 1940-1970 and 1970. Before the 1920s, musicals in Great Britain and the United States had different historical contexts. In the US, musicals are influenced and shaped by jazz, kicking dance, comic drama and comedy, whilst in the UK, musical operetta, drama and ballet have remained staples of musicals, with Shakespeare, Molière and the works of Ibsen which are the main examples. British drama. According to William (2002 pp47), "Operettas, not to mention the music and lyrics, enjoy a continuing popularity that stems directly from their very nature of being 'old-fashioned.'" In the 19th century, with the accelerating pace of society, people didn't like this kind of music and there was a slow depression. In the 20th century, after the First World War, musicals developed a lot in the United States. At that time, the contents of American musical theater emphasized romance, romance. humor and entertainment, and the performances tended to be more lavish, but without losing the main style. Cohen's typical representative is called "the father of the Broadway musical" (2002). exciting place to be in the 1920s, as many new voices were heard in American musical theater. An important voice was that of jazz. In 1924, the musical created by Gershwin, entitled “Lady, be good,” led the way to the musical jazz style of Broadway in the 1920s Events mark the different phases of the American musical era and show how it gradually matured over time. "American Rock Musical" is the tenth chapter of a book of fifteen, created by Danhong Yu and Liyin Zhang In the 1950s, white teenagers began to lose interest in black rhythm and blues, which they no longer found exciting, which it gave rise to a more challenging musical genre, called "rock", which has become mainstream. Meanwhile, traditional music survives in the United States and remains popular among older adults. conservative people who find rock too loud and disturbing. This results in disgruntled protests, because the mainstream US audience was unable to see rock as an acceptable type of music, as they preferred to listen to their old-fashioned music. Undoubtedly, rock music became an important part of Broadway, even if radio stations were still reluctant to play it (2002). Later rock musicals pointed to the "promise" of the musicdramatic and reflected the fast pace of commercial development that characterized New York. The main feature of rock musicals is in the creation of rapidly transforming rhythms, only in the song it is possible to continuously use the rhythms 4/4, 3/4, 3/8, 6/4 (2002). Rock Band has developed a variety of music and made a great impact, but true rock musical is rare. Because only when the script is suitable or requires rock, the rock musical manages to succeed. According to Scott (Scott Warfield 2002), "Today we rarely hear terms like 'jazz rock' or 'symphonic rock,' but on Broadway the term 'rock musical' has retained its currency, both as a show's formal subtitle and as an appellation ". used casually by critics and others to describe a particular work.' Rock represents American culture, and this culture quickly spread around the world from the United States, as rock musicals became more popular at the expense of operetta tunes, it became apparent that the United States was changing significantly. The operetta's melodies, with their romanticism, were clearly popular with audiences, which allowed them to thrive for decades. However, when operettas were finally excluded from the field of mainstream entertainment, it demonstrated that the United States was in a state of dramatic music era style transformation (2002). On the contrary, although rock music needs a particular scene, a particular script, the speed of its diffusion and its impact are enormous. Before the Broadway audience is hardly involved in the general rock concert, they will isolate themselves and rock. Now, when the rock musical later added sound effects, in the musical theater a rock party can be heard at the same time, obsessed with the musical audience, it can be regarded as a means of broadening horizons (2002). In conclusion, my thesis is about the 20th century, the musical and the politics of Broadway. I go through four classic musicals to describe the relationship between musicals and politics. The different musical periods reflect the political context in different periods. Like “Chicago” about the dominant American society, which had just gone through the most notorious political scandal in its history, “Watergate”, as a background creation (Lv Ling 2007). Showing how people can exploit their murder cases to achieve fame, Chicago examines the rise of a distorted mentality that emphasized fun and didn't take death or murder too seriously. Having passed two books that tell the history of musical theater, they interpret the form of the first American musical operettas and influence many people's rock musical. I have used different types of references, DVDs, the Internet, books, newspapers and reviews to prove my point. With Chinese being my native language and having many Chinese books on theater and musicals ready, I used several Chinese websites and books to support my claims. I used both books and newspaper articles that expressed different points of view, because I think that analyzing politics from different angles and perspectives would help me provide a clearer interpretation of real American politics. I have reflected on every book, review and article I have read, trying to form an objective opinion regardless of my personal thoughts. The musicals I analyzed mark different phases in the history of theatre, which has evolved over time. Broadway theater culture in the 1920s began to flourish rapidly, theaters generally being built almost overnight. The late 1920s, the heyday of the Broadway Art Theater here in 1925, reached more than 80 people. But the economic crisis of the 1930s had a.