The endings of A Streetcar Named Desire in the film and in Tennessee Williams' play are very different. Initially, they both follow the same plot, which follows Stella's struggles between choosing Blanche or Stanley. Towards the end Kazan changes the turning point compared to what Tennessee Williams wrote. The impact of the different endings radically changes the audience's reactions. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay In the play, Eunice tells Stella that she can't believe what Stanley did because her life must move on. Stella takes the baby and returns to Stanley, and when the baby stops crying it's as if life has returned to normal. When Blanche is gone, they treat their lives no differently than when she was there. In this case, Stanley wins the “poker game” because he has a better hand than Blanche. Stella cries frantically and shows how bad she feels about admitting Blanche to an asylum. The end of the game says "7 card stud". This tells the audience that the show is back to normal. This ending is very different from the movie because Stella makes a different decision than in the book. In the film, Stella does not return to her normal life. In the book Eunice gives the baby to Stella, but in the film Eunice doesn't give the baby to Stella and since Blanche is forced to leave Stella thinks about what Stanley did. It hurts her too much to even think about Stanley, and she says "Don't touch me, don't ever touch me again." It conveys the amount of hatred he feels towards Stanley and it affects the decision he makes in the end. When Mitch watches Stella being taken away, he yells at Stanley and says, "what did you do to her?" and this skepticism was not shown during the show. In the film life does not return to normal and although Blanche did not win the poker game, Stanley lost. Stella returns to Eunice while Stanley continues to call her. This change is very difficult to understand because the outcome of the play and the film are opposites. This ending shows the change between who won the pot: Stanley, Blanche or Nobody. Please note: this is just an example. Get a custom paper from our expert writers now. Get a Custom Essay As a result of the alternate endings, the public becomes very confused as to why they are so different. If a change had been made earlier in the film, it wouldn't have been as drastic as changing the ending. This alters the meanings that can be interpreted from the play and film. The question many still ask is: why are the endings different if the film was produced only a couple of years after the book? Alternate endings have a negative impact on how people interpret endings. Works Cited Williams, T. (1947). A tram called Desiderio. New Directions.Kazan, E. (Director). (1951). A Streetcar Named Desire [Film]. Warner Bros. Pictures. Boulanger, C. (2000). "A Streetcar Named Desire" at the cinema: the impact of Elia Kazan. Literature Film Quarterly, 28(3), 234-240.Bloom, H. (ed.). (2010). A Streetcar Named Desire by Tennessee Williams. Infobase Publishing.Thompson, M. (1998). Drama after Darwin: Does Tennessee Williams' "A Streetcar Named Desire" tell us anything about human nature? Journal of American Studies, 32(2), 195-213.French, P. (2018). The making of a masterpiece: A Streetcar Named Desire by Elia Kazan. Bloomsbury Publishing.Griffin, A. (2011). Representations of madness in Tennessee Williams' plays. Palgrave Macmillan.Cowan, M. (2003). A Streetcar Named Deadline: The Psychological Landscapes of Tennessee Williams. The Southern Quarterly,.